Unchanged by any teller — how the centuries since have seen Zeus.
The gallery
The Artemision Bronze
Unknown (Zeus or Poseidon), c. 460 BC
Monumental ancient Greek bronze recovered from a shipwreck off Cape Artemision, now in the National Archaeological Museum, Athens. The god strides forward with his arm drawn back to hurl a weapon now lost — a thunderbolt if he is Zeus, a trident if Poseidon — making it one of the finest surviving bronzes of the Severe style.
The Statue of Zeus at Olympia (reconstruction)
Antoine-Chrysostome Quatremère de Quincy, 1815
Plate from Antoine-Chrysostome Quatremère de Quincy's study Le Jupiter olympien, reconstructing the lost gold-and-ivory Statue of Zeus at Olympia. Phidias's colossus, one of the Seven Wonders of the Ancient World, showed the god enthroned with a figure of Nike in his right hand and a sceptre in his left.
Jupiter and Thetis
Jean-Auguste-Dominique Ingres, 1811
Oil painting by Jean-Auguste-Dominique Ingres, now in the Musée Granet, Aix-en-Provence. The sea-nymph Thetis caresses the chin of the colossal, enthroned Jupiter as she pleads for the fortunes of her son Achilles, a scene drawn from the first book of the Iliad.
Jupiter and Io
Antonio da Correggio, c. 1530
Oil painting by Antonio da Correggio from his series on the loves of Jupiter, now in the Kunsthistorisches Museum, Vienna. The god, dissolved into a dark cloud from which a face and hand barely emerge, embraces the nymph Io — one of the most sensuous inventions of Renaissance painting.
On screen
Clash of the Titans
Desmond Davis
Ray Harryhausen's stop-motion Olympus puts Zeus at the board of the gods, releasing the Kraken with a chess-piece gesture — the modern template for a cinematic king of the gods.
Hercules
Ron Clements & John Musker
Disney's gospel Olympus casts Zeus as a booming, affectionate father whose infant son is stolen from the cradle — for a generation, the first face of the king of the gods.
Jason and the Argonauts
Don Chaffey
Harryhausen's adventure opens on Olympus, where Zeus and Hera wager on Jason's voyage; the gods lean over the mortal board like players at a game.
In play
God of War III
Santa Monica Studio
The climax of the Greek God of War trilogy sends Kratos up Mount Olympus to kill Zeus himself — the father-son feud rewritten as a siege of the gods.
Hades
Supergiant Games
Supergiant's underworld roguelike keeps Zeus on the surface as a booming Olympian relative whose boons crackle into Zagreus' runs — the king of the gods as a voice in the ear.