Unchanged by any teller — how the centuries since have seen Ladon.
The gallery
Hercules and the Dragon Ladon
Workshop of Giambologna (Jean Boulogne), early 17th century
A bronze statuette from the workshop of the Flemish-Italian Mannerist sculptor Giambologna (1529–1608), cast in the early 17th century after a design of around 1580 for the Medici court. It captures the climax of Heracles' eleventh labour: rather than the theft of the golden apples, the artist stages the hero's violent confrontation with Ladon, the immortal serpent who guarded the tree of the Hesperides. The hero strides forward in one of the torsioned, spiralling poses characteristic of Giambologna, while the dragon writhes beneath him; the smooth, highly finished bronze surface accentuates the play of muscle and movement. Walters Art Museum, Baltimore (accession 54.695); height 41.8 cm.
Heracles and Ladon, Guardian of the Golden Apples
Unknown, late Roman period
A Roman relief plate (the decorated disc of a terracotta oil lamp) of the late imperial period, showing Heracles and the serpent Ladon coiled about the tree of the golden apples of the Hesperides. The dragon's sinuous body winds up the trunk, embodying the watchful guardian whom the hero must overcome in his eleventh labour. From the Loeb Collection, the piece is held in the Staatliche Antikensammlungen (State Collection of Antiquities) in Munich, catalogued as SL 89. It is a characteristic example of the mass-produced figural lamps through which mythological imagery, including the labours of Heracles, circulated widely across the Roman world.
In play
Ladon (mythology)
The hundred-headed serpent of the Hesperides remains the guardian of the golden apples — Ladon as Heracles' sleepless orchard foe.
Hesperides
Ladon's modern afterlife is the western garden itself — the dragon coiled under the sunset trees of the Hesperides.