Zeus commanded the gods to mould a beautiful evil as the price of stolen fire — Pandora, All-gift, whom Epimetheus received against his brother's warning; when she lifted the lid of the jar, sorrows scattered among mankind, and Hope alone remained beneath the rim.1
The price of fire
Zeus, angry that Prometheus had stolen fire, ordered Hephaestus to mix earth with water and mould from it the likeness of a modest maiden. In the Theogony she has no name: she is simply the maiden, sheer guile not to be withstood by men — and from her is descended the race and tribe of women.2
All the gods give gifts⚖
In the Works and Days each Olympian adds a portion. Athena teaches her needlework; golden Aphrodite sheds grace and cruel longing; Hermes contrives lies and crafty words in her breast; and he names her Pandora — because all who dwell on Olympus gave each a gift, a plague to men who eat bread. Hyginus instead has Vulcan mould the woman from clay and Minerva give her a soul — a workshop Hesiod never describes.3
Epimetheus forgets⚖
Hermes led her as a gift to Epimetheus, who forgot his brother Prometheus' warning never to accept a present from Zeus — and took her in. Apollodorus calls her the first woman fashioned by the gods; her daughter by Epimetheus is Pyrrha, through whom the later flood-line descends.4
The jar opened
Then the woman took the great lid off the jar with her hands and scattered all that was within — sorrow and mischief to men. Before that day the tribes of men had lived remote and free from ills and hard toil. Only Hope remained inside in her unbreakable home under the rim of the great jar, for by the will of Zeus the lid caught her before she could fly out. It is a jar, a pithos, in Hesiod — the famous box belongs to her later afterlife, not to any ancient teller.5
· EXEUNT ·
How the centuries saw it
Pandora
John William Waterhouse, 1896
Waterhouse's Pre-Raphaelite Pandora kneels over the fatal casket in a wooded hollow — Hesiod's first woman as curious opener, the jar restyled as a Victorian box. The moment before the world's troubles spill.
Pandora
Dante Gabriel Rossetti, 1871
Rossetti's half-length Pandora holds the sealed box against a sulphurous glow — Jane Morris as the gift the gods sent to punish mankind. The Pre-Raphaelite jar made into a jewel of dread.
Eva Prima Pandora
Jean Cousin the Elder, c. 1550
Cousin's Louvre masterpiece fuses Eve and Pandora on one reclining nude — the first woman as both biblical fall and Hesiodic jar. Renaissance France's great allegory of curiosity and ruin.
Pandora
Jules Lefebvre, 1872
Lefebvre's academic Pandora stands with the box still closed — beauty as bait, the gift Zeus sent through Epimetheus. Salon mythology at full polish: the woman who has not yet opened the world.
In play
Pandora
The jar (not box) that released evils remains the West's emblem of curiosity's cost — hope alone left under the lid.
Pandora's box
The English idiom for a gift that unleashes irreversible trouble — Hesiod's jar renamed a box by later translators and proverb makers.